Mission

20>>21 develops programs that explore the multicultural experience of today’s music. The ensemble facilitates dialogue between audience, performer, and composer by presenting contemporary composers’ works and their influences.

About

20>>21 collaborates with today’s emerging composers to curate deep concert experiences. Repertoire for each concert is carefully selected by the members of 20>>21 and that concert’s featured composer. Each piece reflects the composer’s influences and draws connections between music of the 20th and 21st centuries. 20>>21 embraces a relaxed concert atmosphere, inviting audience members to learn and interact.
 
The members of 20>>21 are accomplished musicians who are passionate for sharing new music with new audiences. In each performance, members of 20>>21 and the concert’s featured composer explain the personal and musical significance of the pieces chosen. Following each concert, audience members are invited to meet the musicians and featured composer to ask questions and share feedback.
 
20>>21 has already had a successful start to its inaugural season (2011-12) at The Gershwin Hotel in downtown Manhattan. Each concert included a world premiere from one of the season’s featured composers: Angélica Negrón, Gilad Cohen, and Clint Needham. Audience members praised the ensemble for exciting repertoire, helpful discussion, and a gentle introduction to new music. For details about 20>>21’s next concert, featuring award-winning composer Aleksandra Vrebalov, please visit our Events page below.


Advisory Board

Claude Baker
Donald Berman
David Dzubay
David Krakauer

Members


Itay Lantner, flute ♦ Balázs Rumy, clarinet ♦ Francesca Anderegg, violin
Claudia Schaer, violin ♦ Brian Snow, cello ♦ Yael Manor, piano

Guest Artists – May 17, 2012
Hajnal Pivnick, violin
Nicholas Finch, cello
Ariadne Greif, soprano



Flutist Itay Lantner performs regularly in solo, chamber music and orchestral concerts throughout the United States, Israel, Italy, Germany, Spain and France. He performed in distinguished venues such as Carnegie Hall, Disney Hall, Auditorio Nacional de Música, and the Mann Auditorium (Tel Aviv). Mr. Lantner holds a Bachelor of Music from the Buchman-Mehta School of Music at Tel Aviv University, and a Master of Music degree from Yale School of Music under the guidance of renowned flutist-conductor Ransom Wilson. While at Yale, he won the Yale Chamber Music Competition twice with his wind quintet, and received yearly scholarships from the America-Israel Cultural Foundation between 2003 and 2008.
As an orchestral musician, Mr. Lantner worked with conductors Zubin Mehta, Peter Oundjian and Reinbert de Leeuw. He has appeared with the Israel Philharmonic Orchestra, the Israel Chamber Orchestra and currently serves as a flutist with the New York Chamber Soloists Orchestra. Mr. Lantner teaches at The Harmony Program, a New York-based music program that is inspired by Venezuela’s El Sistema: it provides daily music lessons to children from economically disadvantaged communities.

 

A native of Hungary, clarinetist Balázs Rumy has been a member of the Gustav Mahler Youth Orchestra and the Verbier Festival Orchestra and has performed in most prestigious concert halls in Europe with leading conductors. He is a prizewinner of numerous international competitions, including the 62nd Geneva Competition and the Carl Nielsen International Competition. Mr. Rumy was invited to participate in international music festivals: the annual conference of the International Clarinet Association in Japan and in the United States, the „Encuentro” music festival in Spain and the „Collegium Musicum” festival in Germany. He also has performed in various chamber music formations in countries including Spain, Germany, France, Austria, Switzerland and Hungary.
Mr. Rumy was born in Székesféhervár, Hungary in 1983. He holds a Master of Music degree from the Ferenc Liszt Academy of Music in Budapest, Hungary, and from the Conservatory of Geneva, Switzerland. His main professors were: Béla Kovács, Thomas Friedli, Romain Guyot and Jean-Michel Bertelli. In the fall of 2010, Mr. Rumy began his Artist Diploma degree studies at The Juilliard School under the guidance of Charles Neidich.

 

Violinist Francesca Anderegg made her New York debut in February 2007, performing the Ligeti Violin Concerto with the Juilliard Orchestra under the baton of Diego Masson. The New York Times lauded her performance for its “dark, mournful tone” and “virtuosic panache.” A versatile musician, Ms. Anderegg is equally at home as a soloist and chamber music artist. Her chamber music credits include performances with Itzhak Perlman and members of the Perlman Music Program in major venues throughout the country, for which the Chicago Sun-Times praised her “astonishing assurance.”
Ms. Anderegg holds a Master’s degree from The Juilliard School, and is a C.V. Starr Doctoral Fellow at Juilliard as a student of Ronald Copes. Her former teachers have included Robert Mann, Nicholas Mann, Naoko Tanaka, and Lynn Chang. She has appeared at many music festivals, and currently is on the violin faculty of Interlochen Arts Camp. In 2010, Ms. Anderegg was awarded the Lenore Annenberg Fellowship in the Performing Arts, a major career grant. Her solo debut CD, containing music by Elliott Carter, George Perle, and Arnold Schoenberg, will be released on Albany Records in July 2012.

 

Canadian violinist Claudia Schaer, a versatile recitalist, chamber musician, and soloist, is known for her beautiful and intelligent interpretations, as well as her intriguing programming. Recent highlights include her Carnegie Hall Weill Recital debut, recital tours of Germany, Switzerland, Denmark, the USA, and China; chamber music performances in England (Prussia Cove), Denmark (Thy), France (Fontainebleau), and Italy (Barga, with Berlin Philharmonic members). She gave the New York première of the Lifchitz violin concerto, and will give a world premiere of the Farrell violin concerto in 2011. Currently in the midst of an ambitious solo violin project, her programmes this year include a three-hour-recital of all six Bach Sonatas and Partitas for Solo Violin, the Bartók Sonata for Solo Violin, Boulez’s Anthèmes, the Ysaÿe Sonatas, and Honegger’s Sonata.
Ms. Schaer received her Doctorate of Musical Arts from Stony Brook University in 2011, mentoring with Phillip Setzer, Ani Kavafian, and Pamela Frank. She received Master’s and Bachelor degrees from the Juilliard School, where she assisted her mentor, Sally Thomas, and participated in the Scholastic Distinction programme.

 

Cellist Brian Snow pursues an active performing career in New York City, where he is a member of Newspeak Ensemble, the Omni Ensemble, and the Praxis String Quartet. Praised by the Boston Globe for his “…pugnacious, eloquent, self-assurance…”, Brian has appeared as a soloist with the Riverside Orchestra (New York City), the Longy Chamber Orchestra, and Crescent City Symphony (New Orleans). He has performed with Mark Morris Dance Group, Alarm Will Sound, ACME, Fireworks Ensemble, the Emerson String Quartet, and Meredith Monk, and appears on recordings with a variety of artists, including the Yale Cellos, Sonya Kitchell, Ratatat, My Brightest Diamond, and Jonsi of Sigur Ros. Brian has won top prizes at the Paranov, Emerson String Quartet, and Longy concerto soloists competitions. A strong advocate for new music, Brian has worked closely with composers including Nico Muhly, Caleb Burhans, and David T. Little, premiering dozens of new works. Currently a DMA candidate at SUNY Stony Brook, he holds degrees from the Hartt School of Music and from Yale, and his cello teachers include David Finckel, Aldo Parisot, and Colin Carr. A dedicated teacher, Brian is a faculty member at Brooklyn Conservatory and the Brooklyn Waldorf School.



Pianist and Artistic Director Yael Manor regularly collaborates with composers both as a soloist and a chamber musician. As a frequent performer of national and world premieres, she approaches each piece with creativity and imaginative interpretation. Driven by the belief that new music should be accessible, Yael works to ensure that each concert encourages open dialogue and understanding between audience members, performers, and composers.
In addition to various performances in Israel, Yael has performed on some of the most prestigious stages in the United States including: the Kimmel Center, the Miller Theatre, the Dekelboum Concert Hall, Symphony Space, Merkin Concert Hall, and Carnegie Hall. She has also been featured on New York City’s classical music radio station, WQXR, in a broadcast of the McGraw Hill Young Artists Showcase. Yael holds a Master’s degree from the Buchmann-Mehta School of Music at Tel-Aviv University and a Doctor of Musical Arts degree from the Jacobs School of Music at Indiana University.

Nov. 10, 2011

20-21 with Angélica Negrón

Thursday, November 10, 2011 at 8:00pm
Gershwin Hotel
7 E. 27th St., New York
(click here for directions)
 
20-21 is thrilled to present composer Angélica Negrón for the opening concert of its inaugural season Rewind and Fast-Forward. The concert will present two pieces by Angélica and will explore music other composers and pieces that influenced her techniques and musical language. Ranging from 1914 to 1999, the program will show a connection between the music of the past century to the music of today, ending with the world premiere of Angélica’s piece Neblina.
 
Born in San Juan, Puerto Rico and currently based in Brooklyn, New York, Angélica is interested in creating intricate yet simple narratives that evoke intangible moments in time. She writes music for accordions, toys and electronics as well as chamber ensembles and orchestras. Her music has been described as “wistfully idiosyncratic and contemplative” (WQXR/Q2) and “mesmerizing and affecting” (Feast of Music) while The New York Times noted her “capacity to surprise” and her “quirky approach to scoring”. She was recently selected by Q2 and NPR listeners as part of “The Mix: 100 Composers Under 40” and by Flavorpill as one of the “10 Young Female Composers You Should Know”.
For more information, please visit: www.angelicanegron.com.
 


Program:


David Lang, Sweet Air, for flute, clarinet, violin, cello & piano
Julia Wolfe, East Broadway, for toy piano and toy boombox
Angélica Negrón, The Peculiar Purple Pie-man of Porcupine Peak, for piano & pre-recorded electronics
Igor Stravinsky, 3 Pieces for String Quartet
Morton Feldman, Durations I, for alto flute, violin, cello & piano
Olivier Messiaen, Quartet for the End of Time – Movement V, for cello & piano
Angélica Negrón, Neblina, for flute, clarinet, violin, viola, cello, piano & accordion. World Premiere
 


Guest Artist:


Angélica Negrón – composer, accordion

Feb. 16, 2012

20-21 with Gilad Cohen

Thursday, February 16, 2012 at 8:00pm
Gershwin Hotel
7 E. 27th St., New York
(click here for directions)
 
20-21 is thrilled to present composer Gilad Cohen for the second concert of its inaugural season Rewind and Fast-Forward. The concert will present one piece and an arrangement by Cohen and will explore music other composers and pieces that influenced his techniques and musical language.
 

Israeli composer Gilad Cohen (b. 1980) is a versatile musician, active in many musical genres as a composer, arranger, conductor, director and performer. A graduate of the Jerusalem Academy of Music and Dance and the Mannes College of Music, Gilad is currently a PhD candidate in Composition in Princeton University. A recipient of the Israeli Prime Minister Award for Composers in 2010 (the most prestigious award for composers in Israel), Gilad’s music was performed by the Nash Ensemble of London, The Israeli Chamber Project, the Meitar Ensemble, the Israeli Symphonietta Beer-Sheva Orchestra, the Israeli Revolution Orchestra, harpist Sivan Magen, violinist Miranda Cuckson, pianist Paul Barnes, the leading Israeli choirs and Braca Baruh choir (Belgrade), at venues such as Morgan Library & Museum (NYC), Merkin Hall (NYC), the International Bach Festival in Toronto, Kolarac Hall (Belgrade) and the Jerusalem Theatre (Israel). Gilad is a winner of the 2011 International Bicentennial Composition Competition of the American Liszt Society, the ACUM Prize (Israeli equivalent of ASCAP) and a national winner of the 2010 SCI/ASCAP Student Composition Commission Contest.
A current student in the Tony-honored BMI Musical Theatre Workshop in New York, Gilad is active as a composer for theatre, and has written music for several plays in Israel, as well as for Bertolt Brecht’s The Good Person of Setzuan, commissioned and produced by the Program in Theatre in Princeton University in 2010. Gilad has been invited to conduct choirs on many occasions including the Zimriya World Assembly of Choir in Israel and the 2010 Anniversary of Braca Baruh Choir in Kolarec Hall (Belgrade). As a performing musician, Gilad co-directs, sings and plays bass, keyboard and guitar. He has been invited to perform on many stages in the US, Canada and Israel, most recently at Merkin Hall (NYC), Rose Hall at Lincoln Center (NYC) and Symphony Space (NYC).
For more information, please visit: www.giladcohen.com.
 


Program:


George Crumb, Vox Balaenae, for flute, cello & piano
Maurice Ravel, L’Enigme eternelle, for violin & piano
Dmitri Shostakovich, String Quartet No.8
Pink Floyd/Cohen, Shine On You Crazy Diamond, for flute, oboe, piano & string quartet. World Premiere
Gilad Cohen, Ten Variations, for oboe, piano & string quartet. New York Premiere
 


Guest Artists:


Arthur Sato – oboe
Clara Lyon – violin
Kristina Giles – viola

March 23, 2012

20-21 with Clint Needham

 

NEW DATE!!!

 
Friday, March 23, 2012 at 8:00pm
Gershwin Hotel
7 E. 27th St., New York
(click here for directions)
 

20-21 is thrilled to present composer Clint Needham for the third concert of its inaugural season Rewind and Fast-Forward. The concert will present a new piece by Needham, Our Last Year on Earth and will explore music other composers and pieces that influenced his style and musical language.
 

The music of Clint Needham has been described as “wildly entertaining” (New York Times), “easy to smile at” (Philadelphia Inquirer), and “well-crafted and arresting… riveting” (Herald Times). Recently named winner of the 2011 International Barlow Prize, Clint’s music has been recognized with the Orpheus Chamber Orchestra’s Project 440 Commission, Charles Ives Scholarship from the American Academy of Arts and Letters, two ASCAP Morton Gould Awards, the William Schuman Prize/BMI Student Composer Award, the Jacob Druckman Prize from the Aspen Music Festival, First Prize in the International Ticheli Composition Contest, the Heckscher Prize from Ithaca College, a Lee Ettelson Composer Award and the coveted Underwood New Music Commission from the American Composers Orchestra.

Clint’s orchestral music has been commissioned and performed by the Minnesota Orchestra, Omaha Symphony, American Composers Orchestra, Aspen Concert Orchestra, Cabrillo Festival Orchestra, Sioux City Symphony, New York Youth Symphony, and Symphony in C, among others. Various chamber groups including Alarm Will Sound, the American Brass Quintet, Aspen Contemporary Ensemble, New York Classical Players, Dinosaur Annex, President’s Own Marine Band Brass Quintet, Quintet Attacca, Stanford Wind Quintet, and the Wingra Woodwind Quintet have given performances of his chamber music across the country, as well as in Europe, Brazil, Japan, and Australia.

Upcoming commissions include works for the Orpheus Chamber Orchestra, Boston Symphony’s Hawthorne String Quartet with the Omaha Symphony, and a consortium commission for the Imani Winds, Fifth House Ensemble, & Orpheus Winds from the Barlow Endowment.

Clint’s music is published by the Theodore Presser Company with additional works published by Manhattan Beach Music and Triplo Press. Recordings of his works can be found on the Summit Records and Mark Masters labels, from the United States Air Force Band of the West, and from the American Composers Orchestra’s Digital Release Vol. 1 Series.
For more information, please visit: www.clintneedham.com.

 


Program:


Igor Stravinsky, Soldier’s Tale, for clarinet, violin & piano
Paul Moravec, Passacaglia, for violin, cello & piano
John Adams, Road Movies No.8, for violin & piano
Clint Needham, Our Last Year on Earth, for flute, clarinet, violin, cello & piano. World Premiere
 


Guest Artists:


Balázs Rumy – clarinet
Hajnal Pivnick – violin
Kirsten Jermé – cello

May 17, 2012

20-21 with Aleksandra Vrebalov

Thursday, May 17, 2012 at 8:00pm
Gershwin Hotel
7 E. 27th St., New York
(click here for directions)
 

20-21 is thrilled to present composer Aleksandra Vrebalov for the fourth and last concert of its inaugural season Rewind and Fast-Forward. The concert will present several pieces by Vrebalov and will explore music other composers and pieces that influenced her style and musical language.
 

ALEKSANDRA VREBALOV has had her works commissioned performed by Kronos Quartet, David Krakauer, Moravian Philharmonic, Belgrade Philharmonic, Ijsbreker and Providence Festival Ballet, etc. Her most recent works have been commissioned by Serbian National Theater in Novi Sad, Carnegie Hall, Clarice Smith Center, and Dusan Tynek Dance Theater. Residencies/festivals include: New York’s New Dramatists, American Lyruc Theater, MacDowell Colony, American Opera Projects, Other Minds Festival in San Francisco, Rockefeller Bellagio Center, and Tanglewood. Awards/fellowships include 2011 Muzika Klasika Composer of the Year, 2012 Gold Medal from Serbian National Theater in Novi Sad for contribution to opera, American Academy of Art and Letters Charles Ives Fellowship, Highsmith Composition Competition, Vienna Modern Master, Soros Fund, ASCAP, Meet the Composer, and Douglas Moore Fellowship. Aleksandra holds a B.A. in Composition from Novi Sad University in Serbia, M.M. from San Francisco Conservatory of Music and D.M.A. from the University of Michigan.

For more information, please visit: www.aleksandravrebalov.com


Program:


– Part I –
Aleksandra Vrebalov, Bagatelles, for piano solo
Dmitri Shostakovich, Waltz, for flute, clarinet & piano
Aleksandra Vrebalov, Gar Manches Herz Aria, for soprano & piano
Arnold Schoenberg, Songs Op.2, for soprano & piano
– Part II –
Sofia Gubaidulina, Sounds of the Forest, for flute & piano
Aleksandra Vrebalov, Spell No.5, for flute, clarinet, violin, cello, & piano
Morton Feldman, Last Pieces, for piano solo
– Part III –
Krzysztof Penderecki, String Quartet No.1, for violin, violin, viola, & cello
Aleksandra Vrabalov, Ur Song, for soprano, violin, violin, viola, & cello


Guest Artists:


Ariadne Greif – soprano
Hajnal Pivnick – violin
Nicholas Finch – cello
Sheldon Steiger – sound engineer

Support

20>>21’s concerts require scores, rental instruments, and commission fees. As the group is pursuing a not-for-profit status, these are out-of-pocket expenses for group members and are not covered by concert admission fees or foundation grants.
 
Should you wish to make a donation at this time to offset some of the costs of 20>>21’s inaugural season, please contact Artistic Director
Yael Manor at yael@20-21music.org.
 
How your help can make a difference:
     $25 – Gets group members to one rehearsal (via subway)
     $50 – Prints programs for one concert
     $100 – Rents auxiliary instruments
     $250 – Purchases scores for one concert
     $500 – Helps commission a new work
 
20>>21 thanks the following individuals for their support:
     Terry Eldh
     Lyn and Mollie MacLean
     Susan & Dennis Tracey
     Janet Marie Tredwell
     Diana Worley
     Anonymous (3)

20>>21 is also deeply grateful to Opus 118 Harlem School of Music for the donation of rehearsal space.



Click here to join our mailing list







Thank you for visiting 20-21music.org.
We would love to hear from you! Please feel free to contact us by email or by using this contact form.

 

Click here to join our mailing list